Bob Karper
Bob Karper performance artist

Collaborations

My work with other companies include divised theatre-in-the-round, large scale No. 1 tours, transforming care homes into creative community hubs and primary school kindness weeks. They include roles as actor, musician, filmmaker, director, participatory artist. Collaborators include Lone Twin, Oily Cart, Frank Wurzinger, Natasha Davis, New Art Club and shows I’ve helped to create have won the Anti-Fest Best of the Best, Mimetic Festival Best Director and Reykjavik Fringe Artist Favourite Awards.

Ongoing show relationships include the bespoke children’s show Beastie with Lone Twin, and continuing artist associations with People United, Moving Memory and Ladder to the Moon.

performance-bob-karper.jpg

People United

People United are an amazing arts charity that looks at how arts and creativity can grow kindness and empathy. I was a commissioned artist in 2014 with the Treasure project. As artist/engineer in residence ‘Steampunk Bob’ I facilitated a participatory arts project between Larkfield Primary School and two local care homes. Together we created a film ‘This Is Your Life’, where pupils re-enacted inspirational episodes in the lives of the care home residents. Such a joyful project…

In 2017 I was invited to become an Associate Artist with the organisation, regularly creating Kindness Weeks in primary schools around the country as Steampunk Bob. An article about the project featured on the cover of the Times Education Supplement here.

This year (2020) I was asked to be their collaborating artist at Tate Modern’s Tate Exchange creating a work called Deliberate Acts, a series of activities for families that provoke acts of goodness towards one another, counting them up and creating a kindzone in the gallery. With the Covid-19 virus affecting public galleries, we are postponing the project and in the meantime exploring ways we can promote virtual goodness. The work of People United is fascinating and important and much needed in the world today. See more about them at www.peopleunited.org.uk.
 

 
bottom-tear-cream-to-lavender.jpg

Moving Memory Dance Theatre Co.

Moving Memory, led by Artistic Director Sian Stevenson, use movement, music, spoken word, and digital projection to celebrate the vitality of their participants. They create work that aims for a society where older people can freely participate in artistic, creative, physical activities that contribute to leading longer, healthier and more fulfilling lives. They are a company of women over 50 - I’m Associate Artist and have been filming their work since 2017.

This year I was lucky to actually perform with them and in March we showed the first iteration of a new project called Intimate Me in the Power of Women Festival in Margate. This version of the piece was called Beside Me, and the audience attended an extreme 1950s dinner party, hosted by the company as we danced around them. I was the sexist husband, the women all played my wife, entering to the song Wives & Lovers by Jack Jones (wow, what a song).

In the show I get freezed out during the spaghetti course tango as they all fall in love each other and throw off their shackles (and their clothes), and eventually come back in transformed during the angel delight pudding course. So much fun, and just in under the Coronavirus wire - the next week social distance was in place. When things get back to normal, we’ll be developing the show into a full end-on performance for a tour starting at the Gulbenkian Theatre, Canterbury. An inspiring group of women to work with… www.movingmemorydance.com

 
lavender-to-pale.jpg

Lone Twin

Lone Twin are Gary Winters and Gregg Whelan, and I first worked with them in 2010 helping create their bespoke site-specific children’s show, Beastie - a wonderful project that’s still touring. In the show, while one of us getting into the character of Beastie - putting on its muscle frame, its fur, it’s size 18 feet, clawed hands, and giant melancholy head - the children are prompted to fill in it’s background: telling us where it’s from, is it a boy or a girl, it’s age, what it likes to do, how it acts when it’s happy, when it’s sad, when it’s afraid. When they finally give the creature a name, Beastie’s eyes open and it behaves exactly as they described until it makes for the door and breaks out of the theatre into the real world, taking the children with him (or her) on a one-of-a-kind adventure. It’s a uniquely memory-building experience, and we’ve met wonderful groups of kids around the world…

I’ve worked with Gregg and Gary on other Lone Twin projects as well: as cast member The Festival - the third in the Lone Twin Theatre Trilogy starting with Alice Bell & Daniel Hit by a Train. We also worked on the R&D phase of Hull City of Culture Festival with a community show called The Visitor: the Beastie costume was repurposed into a strange, mute visitor appearing in one Hull neighbourhood of Longhill - showing up at a high street cornershop, allotment, doctor’s office, council flat, bingo parlour - over the period of two weeks. By the end of our visit there we’d had families in the are on bikes shouting and following the visitor, calling their neighbours, creating a real buzz.

In 2017 I worked with Gary directing one of the National Theatre’s Space 2 Create young theatremakers showcases: devising a show in a week with twenty 16-21 year olds. We had a fabulous time with a bunch of motivated, talented, artists, who made an awesome piece together, and last year Gary and I collaborated on making my most recent solo show, Oh! Suburbia!

Lone Twin are a wonderfully intuitive, intelligent, inspiring company, and I always look forward to what they will make next. www.lonetwin.com

 
pale-to-cream.jpg

Other Collaborators…

I’ve been lucky to work with some wonderful artists and companies in the twenty years. Regular collaborators include Natasha Davis, Frank Wurzinger, Gitika Partington, Lorna Rees, Marty Langthorne, Dende Collective, and more. Here are some wonderful past projects…

Natasha Davis

Natasha Davis is a performance & visual artist working in a range of media: live performance, installation, film, publication. Her beautiful work often focuses on crossing borders and memory, mixing autobiography, fantasy, research and technology and frequently serves as a diary of personal views in the context of political change (from the horrors of war to uplifting acts of resistance). I've worked with Natasha on a number of her exquisite solo shows, collaborating on the films, composing the music and designing the sound. Above is a video of a three-minute interview with her by Counterpoints Arts.

New Art Club

Choreographers, artists, comedy theatre makers and performers Pete Shenton and Tom Roden are New Art Club. I first saw the a work-in-progress performance of their show Big Bag of Boom in 2010 and was blown away - hysterically funny, inventive mix of contemporary dance and comedy, and I loved them immediately. When they needed an American musician to step into a role in Hercules for the tour I jumped at the chance. The conceit was that Tom was staging the epic Greek tragedy Seven Labours of Hercules, while Pete kept interrupting his poems to turn it into a dance cabaret, generating more and more ridiculous acts. We worked with members of the local community around each venue, and I got to play a singing gadfly in Hercules’ battle with the plague, referee in the wrestling match with the king, accordionist accompanying the Nimean Lion race... Such a fun show, and I’ve since worked with Tom on shows by Mary Eddows and Priya Mistry. https://www.newartclub.org/

Gitika Partington

Gitika is a singer, songwriter, choral leader, a capella arranger and member 3 Bucket Jones, and I’ve filmed her work (and sang in her choirs) for many years. We’ve collaborated on projects with People United and the Wellcome Trust, too. She puts her energy and amazing talent into everything she does, a wonderful artist… https://gitikapartington.com/

Bolder Voices

Bolder Voices are a group of seniors who sing the politics of age, and I first worked with them in 2015. Their choir leader Clair Chapwell invited me to help coordinate a ten week project where members of the choir would visit, sing and chat with residents of a care home in Kilburn. We chose a different topic of conversation each week, and Clair and I would listen to the conversations and write new songs for the choir based on stories we heard. The project ended with a wonderful concert staged for the home and invited guests, singing songs of their lives.  I went on to do several more projects with the group: directing a play written by Clair at Jackson’s Lane, further care home residencies, concerts at Hackney Empire and even celebrating the Queen’s 90th birthday on BBC Broadcasting House accompanying two 90 year old choir members singing The White Cliffs of Dover.

Frank Wurzinger

Frank is one of the most endearing clowns on the UK scene. He is anarchic, eclectic, lightning quick responding to any audience situation and - imoprtant for a clown - hilarious. I’ve been lucky to be in the devising room for his solo shows, all directed by the wonderful John Wright, and have composed the music, created the sound design and helped with film for most of them. I also play the voice of Michelle, his pet goldfish, in the show Goodbye Gunther above… http://frankwurzinger.com/

Lorna Rees

Lorna is a brilliant creator, a superb visual artist and a force of nature as a human being. She runs Gobbledegook Theatre, which specialises in intelligent, alternative outdoor shows. We made Bob & Lorna’s Christmas Party together (along with Natalie Querol) for The Shelley Theatre in Bournemouth, and have worked on other projects at Winchester Wooley Hat Festival, Wellcome Trust and Gobbledegook’s Ear Trumpet. On May 16th 2020, Lorna was the inaugural winner of the CoronaVision International Song Competition for a brilliant performance of her original composition, 'Quelle est la Date de Ton Anniversaire?’ (‘What is the date of your birthday?’). https://www.gobbledegooktheatre.com/

Dende Collective

Early in my performing career I was lucky to work with the eclectic and marvelously inventive Dende Collective, run by Andre Pink and Montse Gili with writer Mark de Faria-Thomas. Andre is from Brazil, Montse from Spain and their latin-infused imaginative devised shows were as educational for me as they were fun to be in. The Piranha Lounge was an amazing collective storytelling show - bringing to life the work of magic realist writer Murio Rubiao, happening to the audience in the centre of the room. I learned early on the immediacy of engaging an audience with authenticity, that if you simply act, you’re done for. OneFourSeven was completely devised from the title alone, showing that you don’t need to be precious, to work with formulas, that if something is not working you can try to fix it or throw it away - neither is correct, both are correct, material will be there if you remain open. Macunaima was an epic long-form show that had several work-in-progress showings in 2005, and was ultimately put on hold. But for an artist, material is always there to revist - and the show was finally staged in a brilliant theatre-school production directed by Andre in Southend-On-Sea in 2017 - it was a triumph. http://www.dendecollective.org/